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And in truth the "claning" occupies a very short period,—or else Mona and Geoffrey heed not the parting moments. For sometimes Everybody at this smiles involuntarily,—everybody, that is, except Nolly, who feels faint again, and turns a rich and lively crimson. Mona, in spite of her haste, stoops to pluck a bunch of violets and place them in her breast, as she goes upon her way. Up to this the beauty of the early spring day has drawn her out of herself, and compelled her to forget her errand. But as she comes near to the place appointed for the interview, a strange repugnance to go forward and face Paul Rodney makes her steps slower and her eyes heavy. And even as she comprehends how strongly she shrinks from the meeting with him, she looks up and sees the chestnut-tree in front of her, and the stream rushing merrily to the ocean, and Paul Rodney standing in his favorite attitude with his arms folded and his sombre eyes fixed eagerly upon her..
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"Bless me, what an enthralling picture!" says Mr. Darling. "You make me regret all I have lost. But perhaps it is not yet too late. I say, Dolly, you are eating nothing. Have some more bread-and-butter or cake, old girl. You don't half take care of yourself." "Did I say all that?" asks Mrs. Geoffrey, with wide eyes. "Indeed, I think you mistake. Old people have wrinkles, and they do not talk as you do. And when one is sweet to look at, one is never old." As soon as he had gone they began to talk about this strange person. They were afraid of him and did not know what to do. The children began to cry, and the women tried to quiet them. Presently the young man came back, bringing some meat. "She is decidedly good to look at, at all events," says Nicholas, shifting ground. "Don't you think so, Violet?".
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